By Dan Daley
When mixers are asked about audio monitors, their responses tend to focus on the trucks that the speakers are in rather than the speakers themselves. Unanimously, sports-audio mixers find that the monitors themselves are generally fine, regardless of type or technology; it’s the monitoring environment that concerns them.“Not one truck is really designed around what a good audio-monitoring environment should be,” says Phil Adler, who freelances on football, college hoops, and pro boxing for CBS Sports and other networks.
A short set of ramblings, outtakes and scraps, from my 2.0 life. You will notice that too much of the stuff I post and link to relates to the market segments that I have the greatest passion for — pro audio, music & cinema — but I am also a geek in my spare time, so I post a lot of random tech stories as well.
For more information about the companies I helped to co-found, please visit www.abluesky.com and www.audiodesignlabs.com.
For more information about Dolby Labs, where I am the Sr. Product Manager - Content Creation, please visit www.dolby.com.
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