February 2010
6 posts
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“Che” and the Digital Cinema Revolution on Vimeo
Via eightyoneandon
The Future Of Music Business Models (And Those Who... →
by Mike Masnick: from the a-thorough-look dept I’m at the Midem conference this week, and in preparing for it, Steven Masur asked me to write up a chapter for a book he was putting together of thoughts from various thinkers for a gathering of the International Association of Entertainment Lawyers (IAEL) here at Midem. Below is what I submitted. If you’re a regular reader of the ...
2010 Oscar Nominees for Sound Editing & Sound...
Sound Editing
“Avatar” — Christopher Boyes and Gwendolyn Yates Whittle
“The Hurt Locker” — Paul N.J. Ottosson
“Inglourious Basterds” — Wylie Stateman
“Star Trek” — Mark Stoeckinger and Alan Rankin
“Up” — Michael Silvers and Tom Myers
Sound Mixing
“Avatar” — Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
“The Hurt Locker” — Paul N.J. Ottosson and Ray Beckett
...
“Our imagination is stretched to the utmost, not, as in fiction, to imagine...”
– Richard Feynman